By the mid seventies, the dub album phenomenon affected every producer of reggae, who quickly found new mileage for tracks lying around, that has past there "sell by" date!!!! Amongst the most popular dub albums of this era, was King Tubby meets the Upsetter at the grassroots of dub, Beware Dub, Rass Clatt Dub, I- Wah Dub, African Dub and loads more!! By the end of the seventies I was totally captivated by this style. It generated such an excitement listening to dub , that I built my first sitting room studios using my home made mixer , and a four track Teac tape machine. I also built some effects from popular circuits diagrams found in Practical Wireless and Practical Electronics magazines. By the early 80's , my Studios were upgaded to 16 tracks using an Ampex mm 1000 machine. It is at this point I had the idea to create a series of Dub albums.

Dub Me Crazy started as a roots message dub album. The sleeve notes that have never been used is still on the box of a ¼ inch master tape.. Dub me crazy did not ignite straight off. Infact after selling 500 of the initial 1000 pressings, the next 500 laid dormant in my sitting room for 6 months until I had a call from John Peel of BBC Radio one. John Peel wanted more info about Dub me Crazy, and Mad Professor and expressed his liking of the album. I was shocked!! Based on the 500 that were sold, I didn't think that anyone had heard the bloody thing. JP enquired whether I had any more material, and requested that I do a session. I promptly proceeded to do just that, laying the tracks at the newly built Ariwa Studios in Gautrey Road Peckham. Those tracks so popular when played, that sales from Dub me Crazy picked up immensely.